Bibliografie : p. 241-255.Met reg. During the nazi occupation the French artworld displayed an astonishing burst of creativity, an atmosphere of laissez-faire and pluralism that seems at odds with the repressive nature of culture under authoritarian regimes. The author researches both the art of Vichy as well as that of occupied France. Why did the official press pay so much attention to art? She also ...

Ministerie van Buitenlandse Zaken te Londen (Londens Archief) > Gedeponeerde archieven > Interne en externe aangelegenheden (C) >

""What are we to make of those cultural figures, many with significant international reputations, who tried to find accommodation with the Nazi regime?" Jonathan Petropoulos asks in this exploration of some of the most acute moral questions of the Third Reich. In his nuanced analysis of prominent German artists, architects, composers, film directors, painters, and writers who rejected exile, choosing ...

Lit. opg.: p. [291]-307. xiv, 319 p. ; 24 cm

Ministerie van Buitenlandse Zaken te Londen (Londens Archief) > Gewoon of groot archief > Algemeen (GrA/DZ/Pers) > Stukken betreffende het aanstellen van war-artists door de directeur van de Regerings Persdienst bij de Nederlandse Weermacht.

Overdruk uit: Bulletin Rijksmuseum ; vol. 38 (1990). P. 99-122. : ill., portr. ; 24 cm.

Daria Santini's book explores a phase in the history of Anglo-German relations during which the émigrés from Hitler's Germany were making their influence felt in Britain--Publisher description. Includes bibliographical references and index. xvi, 265 pages : illustrations, portraits ; 24 cm

Includes bibliographical references (pages 221-240) and index. vii, 243 pages : illustrations ; 25 cm

Van taferelen tijdens de opmars der Canadese legers door Italië, Nederland en Duitsland, vervaardigd door officiële Canadeze militaire kunstenaars. [12] p. ; 14 cm.

400 p. : ill. ; 22 cm.

The Nazis encouraged artistic and intellectual life in occupied France as a tool with which to placate those they had conquered, while French artists and intellectuals often used cultural activity as an overt or covert form of political expression. The Nazi encouragement of culture in occupied France was deeply cynical. German orchestras and opera companies poured into Paris to enrich its musical life, ...

"Wayne Andersen's expansive text, written in clear prose, accounts for all of modern Germany's major artists--the Impressionists Max Liebermann and Lovis Corinth, the Expressionists Edvard Munch, Ernst Ludwig Kirchner, Karl Schmidt-Rottluff, Erich Heckel, and Max Pechstein, the post-World War I George Grosz, Otto Dix, and Rudolf Schlichter, and the less classifiable Max Beckmann, Paula Modersohn-Becker, ...

Even before the First World War, Paris attracted artists from throughout Europe: Russian, Polish, Hungarian, Czech, or German artists, who came to study at the Academies of painting or of music. Several waves of migration brought Jewish artists who were fleeing persecution, and these artists formed networks of friendship with French artists in Paris: channels that operated during the Occupation and ...

"Musée des beaux-arts de Reims, 21 septembre-26 novembre 1995 [catalog of an exhibition shown also in Boulogne-Billancourt and Los Angeles]"--V. [1], title page. 2 volumes : illustrations (some color), maps ; 26 cm

Contains a biography of Charlotte Salomon, as well as paintings by her which reflect her life story. Salomon was born in 1917 in Berlin and fled in 1939 to southern France. She was interned at Gurs in summer 1940 for several weeks, together with her grandfather. She married in February 1943; in September 1943 she and her husband were deported to Auschwitz and murdered there. Includes bibliographical ...

Collection of artwork created by multiple artists including Karl Schwesig and other artists in various French internment camps including St. Cyprien and Les Milles; dated c. 1940-1941

"Tekeningen van Aat Breur-Hibma uit het vrouwenconcentratiekamp Ravensbrück en de gevangenis in Utrecht 1942-1945." 272 pages : illustrations, map ; 24 cm

Met lit. opg. en samenvatting in het Engels. 112 p. : ill. ; 22 cm.

"The photographs of the unknown Warsaw Ghetto little boy and the well-known Anne Frank became famous documents worldwide, representing the Holocaust. Many artists adopted them as a source of inspiration to express their feelings and ideas about Holocaust events in general and to deal with the fate of these two victims in particular. Moreover, the artists emphasized the uniqueness of both children, ...