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Propaganda posters
Archief

A German propaganda poster depicts a tank with a Nazi swastika banner in the BG. It reads, in Russian, "Growing every day." Another propaganda poster depicts a German soldier in the FG, turning back to face local peasants, who are standing behind him and waving to him. It reads, again in Russian, "The German Army, your protector and friend!" A third propaganda poster shows a farmer tending to his field, and reads: "Now, I work in peace". A fourth poster shows a farmer planting seeds, but the caption is illegible, as the time code was burned in on top of it in a moment of dazzling brilliance. 01:31:47 VS, CU, MCU, MS of Soviet POWs who are put to work in a German factory receiving suits and shoes. VS, POWs being fitted for suits, smiling. VS, POWs sitting on a bench trying on shoes, continue to smile for the camera. Walking in front of shop window and bowing. Translation of Russian narration: Not only the entire German military industry, but that of the whole of Europe is now working to arm the front that stretches from the Arctic Ocean to the Black Sea. Thousands of tanks, airplanes, and various kinds of guns, millions of shells, rifles, and missiles are flowing from factories, plants, and workshops to the front lines. In the arms of skilled German soldiers, in the arms of his companions, among whom there are already tens of thousands of Russian people, this armor turns into a threatening weapon pointed at the Bolsheviks. Between you and your enemy - the Bolsheviks - the German army is standing. And peaceful work is possible only under its protection. The turmoil of war has gone. It swept away collective farm slavery; got rid of greedy commissars, Party officials, and sly Jews feeding on people's sweat and blood. And a peasant who early in the morning goes into a field knows that this is his land that he works on, and that the fruit of his work belongs to him, and that he can work peacefully at last. Each furrow, each hand of seeds put into the soil, everything serves a higher purpose that inspires all liberated Russian people, it serves for the restoration of our homeland economy.

Organisatie
United States Holocaust Memorial Museum
Film
Propaganda; Soviet POWs
Archief

A German propaganda poster depicts a tank with a Nazi flag/swastika banner in the background. It reads, in Russian, "Growing every day." Another propaganda poster depicts a German soldier in the foreground, turning back to face local peasants, who are standing behind him and waving to him. It reads, again in Russian, "The German Army, your protector and friend!" A third propaganda poster shows a farmer tending to his field, and reads: "Now, I work in peace". A fourth poster shows a farmer planting seeds, but the caption is illegible, as the time code was burned in on top of it in a moment of dazzling brilliance. 01:31:47 VS, CU, MCU, MS of Soviet POWs who are put to work in a German factory receiving suits and shoes. VS, POWs being fitted for suits, smiling. VS, POWs sitting on a bench trying on shoes, continue to smile for the camera. Walking in front of shop window and bowing. Translation of Russian narration: Not only the entire German military industry, but that of the whole of Europe is now working to arm the front that stretches from the Arctic Ocean to the Black Sea. Thousands of tanks, airplanes, and various kinds of guns, millions of shells, rifles, and missiles are flowing from factories, plants, and workshops to the front lines. In the arms of skilled German soldiers, in the arms of his companions, among whom there are already tens of thousands of Russian people, this armor turns into a threatening weapon pointed at the Bolsheviks. Between you and your enemy - the Bolsheviks - the German army is standing. And peaceful work is possible only under its protection. The turmoil of war has gone. It swept away collective farm slavery; got rid of greedy commissars, Party officials, and sly Jews feeding on people's sweat and blood. And a peasant who early in the morning goes into a field knows that this is his land that he works on, and that the fruit of his work belongs to him, and that he can work peacefully at last. Each furrow, each hand of seeds put into the soil, everything serves a higher purpose that inspires all liberated Russian people, it serves for the restoration of our homeland economy. Many Russians, Ukrainians, Byelorussians, and other Eastern Europeans who were forced to mobilization by the Bolsheviks and later on taken as prisoners of the war, have been freed for their good behavior and are now making their path to start their usual work. Right now we can see a group of former prisoners at one of the Berlin stores who are purchasing civil clothes for themselves. Tomorrow they will start their usual work according to their civil profession.

Organisatie
United States Holocaust Memorial Museum
Film
Anti-Jewish propaganda film: rich Jews; "degenerate" art; prominent Weimar Jews
Archief

A propaganda film declared as a "documentary film contribution about the problem of world Judaism," in which antisemitic stereotypes are disseminated by the Nazis, including scenes showing: Poland as a nesting place for Judaism; the comparison of Jews with rats; the difference between Jews and Aryans; "international crime"; "financial Judaism"; "assimilated Jews"; the Jewish influence on economics, culture, and politics; and Jewish religious practice with a portrayal of haggling and misused sacred Jewish texts. REEL 5 An animated diagram illustrating the population of Germany, with the narration: "For every thousand struggling Germans there were ten Jews, who were always united in one common aim in genuine or feigned rivalry - collective exploitation of the Germans." The German populace is represented by many white figures covering the map of Germany, while the Jews are depicted as black figures that appear and then disperse among the Germans. The animation diagrams illustrate the number of professional occupations -- judges, lawyers, prosecutors, doctors - that were dominated by Jews in 1933. 00:36:11 The commentary notes comparative average wages. "While millions of native Germans were unemployed and in distress, immigrant Jews had in a few years gained fantastic fortunes." Film of Germans living in make-shift homes and women scavenging for coal. The title "Inflation" is followed by footage of bank notes and then by stills of Jewish businessmen Willy and Leo Sklarek, Iwan Kutisker, Julius Barmat, Franz von Mendelssohn and Ludwig Katzenellenbogen. Film of classical sculptures, and famous paintings, including Botticelli's "Venus", Michelangelo's "Creation" and Cranach's "Madonna Under the Apple Tree", with an organ playing Bach in the background. Narration: "Jews are at their most dangerous when they meddle in a people's culture, religion and art." 00:38:10 Film of modern "degenerate" art including paintings by Nolde ("The Lost Paradise"), F. F. Kaiser, George Grosz, Paul Kleinschmidt and Otto Dix, woodcuts and sculptures. Film of primitive art sculptures cuts to brief images of black entertainers, while the music shifts to African music. Narration: "These fevered fantasies of incurably sick intellects were once presented to public opinion by Jewish art theorists as the highest manifestation of art." The narrator continues with a litany of the German cultural enterprises (music, architecture, sculpture) that have been brought low by the Jews. This is accompanied by stills of examples of degenerate art. 00:39:10 Black performers (a male banjo player and female singer) are separately juxtaposed next to African-style sculptures and the interior of a German theater, respectively. Still photographs of prominent Jews from the Weimar period: Alfred Kerr, Kurt Tucholsky and Magnus Hirschfeld. After the still of Hirschfeld appear several sexually provocative publications, one stacked on top of the other. 00:40:06 Immediately following is a still of Albert Einstein, whom the narrator dubs "The relativity-Jew Einstein, who hid his hatred of Germany behind obscure pseudoscience." A still of Leo Kestenberg is followed by representations from Weimar-era theater: advertisements for burlesque-type stage shows ("A Thousand Naked Women!!"). Stills of: Hermann Haller, Rudolf Nelson, Alfred and Fritz Rotter, James Klein, Max Reinhardt and "Jewish comics" such as Max Ehrlich, Paul Morgan, Max Hansens. "And it is no different with film": stills or footage of: Richard Oswald, Kurt Gerron, Rosa Valetti, Curt Bois, who, the narrator notes, "enjoying himself in a particularly perverse portrayal" appears in drag, makes himself up to go out on stage, and does so on the arm of a woman dressed as a man.

Organisatie
United States Holocaust Memorial Museum
Film
Wapendropping bij Eibergen
Propaganda filming of the Warsaw Ghetto: prison; street; corpses; burial
Archief

***This footage is from a roughly ninety-minute propaganda film that was never finished or shown publicly. It was created by a German propaganda camera team in the spring of 1942.The Nazi regime created these ghettos and imprisoned Jews within them, subjected them to these conditions of starvation and disease and overcrowding. And yet, with a film like this, they hoped to suggest that these conditions were chosen by the Jews, that they were natural Jewish living conditions. This film is considered propaganda because it is heavily staged, omits selective information, attempts to establish grotesque stereotypes, and exaggerates many elements of reality. This German propaganda film ended up on the shelf, never finished, never shown, never given a sound track that we know of. It seems that the development of the war and of the genocidal acts in 1942 probably made this irrelevant as propaganda. Mass deportations of Jews from the Warsaw ghetto began soon after filming was completed.*** Detailed Description: Film leader marking: "Achtung! Geheime Kommandosache!" CU women in prison yard. Women with closely cropped hair, CU. Boys inside prison, in cell, strongly lit for cameras. One boy struggles forward. CU, emaciated boy. Reverse angle shot of boys driven through prison doorway, towards light and the street. Jewish policeman with stick, hitting them as they emerge. One of the last runs out, wearing no shirt. In the prison yard, CU of very thin man with no shirt, shivering and twitching. CU of women lying on floor of prison cell. Young men lying in cell. One with badly rotted teeth, talking. Women in cell, strongly lit for filming. Pan to left, women sitting, posed for camera; emaciated. CUs. CU, two boys. Chalk board for 'Arrestanstalt' statistics on prisoners held: Convicted, Under Investigation, Adults, 17 and Under, etc. Date: 2. V. 1942 [2 May 1942]. Pan to cell bars; boys are sent running out of cell. Armband: "Judenrat Warschau ORDNUNGSDIENST" [Order Police]. CU, individual men against wall. Starving boy with prominent teeth. CU profile, young man with large nose; slowly turns head for camera. CU boy with protruding ears. More. Starving, wizened boy. 01:25:13 People pass body on sidewalk; numerous passersby walk along, apparently as directed for camera. Two men approach with long narrow black coffin on two-wheeled cart. As they turn cart around in street, two men walk R to L in street behind: one civilian, one uniformed German soldier (01:25:46). Men lift body. 01:26:22 Cameraman just visible over far end of cart for bodies. Wheeling cart along crowded street, people, stalls. Many look to camera, smile. Wooden stalls or huts in BG. Two bodies on pavement, people passing by. Men come with slatted cart, Warsaw ghetto wall to right, cobblestones prominent in scene. Boy helping with bodies on cart. One body slips into wet gutter, boy tries to assist. Gate and men with carts approach shed with bodies. Morgue-like structure, apparently at edge of cemetery area. Hauling bodies, cart FG and cart BG right. View of bodies stacked in shed, tagged; men tossing them. Most are naked. Close pan of bodies, women, children, legs. Camera holds on pubic area of female corpse. Bodies moved onto cart for transport to cemetery. Another cart is loaded. Bearded men stand and watch, as if assigned role as official "mourners." Carts pass through gateway towards open land, presumably cemetery. Procession of men and carts to large communal graves, mounds of dirt. Line of trees in BG. Bodies are slid down a narrow chute to open mass grave, where two men handle the bodies to lay them out, straighten them. 01:32:52 Quick view of a cameraman in pit with corpses, lower right of frame, climbs up. Fast, harsh, corpses sent down chute. All ages, all emaciated. Layers of paper and some dirt are placed over bodies by two men in the pit. Bearded Orthodox men stand at top of pit. As dirt is shoveled into mass grave, they move away, past mounds of dirt.

Organisatie
United States Holocaust Memorial Museum
Jazz war : radio, Nazism and the struggle for the airwaves in World War II
Boek

During World War II, jazz embodied everything that was appealing about a democratic society as envisioned by the Western Allied powers. Labelled `degenerate' by Hitler's cultural apparatus, jazz was adopted by the Allies to win the hearts and minds of the German public. It was also used by the Nazi Minister for Propaganda, Joseph Goebbels, to deliver a message of Nazi cultural and military superiority. When Goebbels co-opted young German and foreign musicians into `Charlie and his Orchestra' and broadcast their anti-Allied lyrics across the English Channel, jazz took centre stage in the propaganda war that accompanied World War II on the ground. The Jazz War is based on the largely unheard oral testimony of the personalities behind the German and British wartime radio broadcasts, and chronicles the evolving relationship between jazz music and the Axis and Allied war e orts. Studdert shows how jazz both helped and hindered the Allied cause as Nazi soldiers secretly tuned in to British radio shows while London party-goers danced the night away in demimonde `bottle parties', leading them to be branded a `menace' in Parliament. This book will appeal to students of the history of jazz, broadcasting, cultural studies, and the history of World War II. [From the publisher]. 256 pages. : illustrations (black and white) ; 22 cm.

Auteur
Studdert, Will.
Datum
2019
Organisatie
NIOD Instituut voor Oorlogs-, Holocaust- en Genocidestudies
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